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Giuseppe Maraniello (1945)
Photo certificate by the artist
Dedication on the reverse
Signed on the reverse
Claudio Verna (1937)
Oil on canvas
Escursione a Rio Basso
N. CAT. 695
Bibliography: C. Casorati, Claudio Verna in Spoleto, in "Artumbria", 7/8, Perugia 1986, p.33, reproduction in b / w.
Exhibited: personal Casa del Machiavelli, S. Andrea in Percussina, 1986, repr. b / w; personal Gall. Morone, Milano, 1987, repr. b / w.
SIgned on the reverse
Yasuo Sumi (1925-2015)
Ink on paper
Archivio Sumi ID 630
Signed lower right
Archivio Sumi ID 624
Signed lower left
Ink, enamel and mixed media on mesh fabric, fixed on wooden panel
This work by Yasuo Sumi is so signficant that it was displayed at the exhibition "A visual Essay on Gutai", 12 Sep.-27 Oct., in New York at Hauser & Worth, one of the most important galleries in the world. All this is mentioned in the Certificate of Authenticity which is accompanied by a copy of the publication of the work on the site artinnewyorkcity.com dated 19 August 2012.
Toshimitsu Imai (1928-2002)
Oil on card
Signed bottom right
Augusto Garau (1923-2010)
Oil on Juta canvas
Conflitto incerto tra chiusura, somiglianza e trasparenza assurda
Signed in the bottom right
Oil on jute canvas
Some paint loss on the edges
Oil on linen canvas
Tre superfici anomale
Il vetro giallo
Morning on april 17th
Photo certificate by Galleria Marella, Milano
Work published in the catalogue "5.01pm. November 19, 2005 - Works by Zeng Hao", 2005, Hexiangning Museum. Provenance: the artist's studio.
Tony Oursler (1957)
Watercolor and tempera on paper
Certificate of provenance by Artesegno Auction House, Udine
Label of Studio d'Arte Raffaelli on the reverse, Trento
Yin Kun (1969)
Huang Yan (1963)
Color picture, numbered 12/12
Chinese Shanshui Tattoo
Pierluigi Pusole (1963)
Acrylic on canvas
Certificate of Authenticity by Archive Yasuo Sumi ID 305
Osaka, Takashimaya, 9th Gutai Exhibition, 1960.
Work of great historical importance by Yasuo Sumi: it was exhibited at the historic 9th Gutai Art Exhibition, 1960, Osaka, Takashimaya; displayed and published in the exhibition "Kaiga no Arashi show at Osaka National Museum of Art" in 1985, with catalog; displayed and published in the exhibition catalog "Action and Emotion, 50s Paintings, Informel, Gutai, Cobra", Osaka National Museum of Art, p. 85, September-November 1985.
During the Golden years of the Gutai movement Yasuo Sumi realized very few works on such large canvases and it is estimated that the ones made in the early 1960s are no more than fifteen. The fact that this work was displayed in such important historic exhibitions makes it one of the most important within Sumi’s whole artistic production.
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