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Paint on paper on canvas

cm 35x48

1990

Senza titolo

Sold

Code: 31746

Framed

Certificate of authenticity by Fondazione Emilio e Annabianca Vedova with archive no. 745, with statement of authenticity by Emilio Vedova dated 28/06/2002.

Work by Emilio Vedova featured by thick impasto and very high expressionist and gestural quality.

Signed and dated bottom right

Private sale

Acrylic on canvas

cm 100x100

1996

Alchimie 234

Sold

Code: 31731

Framed

Photo-certificate signed by the artist with stamp of Studio d'Arte G.R., Sacile.

Work exhibited and published many times: - "Alberto Biasi e Julio Le Parc, L'arte dell'instabilità", by Giovanni Granzotto, Casa del Mantegna, Mantova, 6 sept-9 oct 2005, Matteo Editore, p. 137; - "Julio Le Parc. Il Cinetismo. Attualità e Storia a confronto", Verso l'Arte Edizioni, Roma, 2003, pag. 65, published on the occasion of the exhibition at Palazzo Ducale in Urbino, Mausoleo Della Rovere, 2 August - 14 September, 2003. Texts by Arzio Pinottini, Giovanni Granzotto, Luciano Caramel, Massimo Galuzzi, Granzotto Giovanni.

Signed on the reverse

Private sale

Acrylic on canvas

cm 50x50

1990

Alchimie 113

Sold

Code: 31727

Framed

Certificate of provenance by Bonioni Arte, Reggio Emilia. Stamp of Rinaldo Rotta Galleria d'Arte, Genova on the reverse.

Work published in "L'immaginazione del movimento. Biasi, De Marco, Garcia Rossi, Le Parc", Edizioni Cardelli & Fontana, Sarzana, 2006

Signed on the reverse

Private sale

Gold plated bronze sculpture, numbered 24/30

diam. cm 15x15

1989

Sfera

Code: 31656

Unframed

The sculpture is registered in the Arnaldo Pomodoro Archive under n. M/89/5, as for confirmation of authenticity received by mail from the Arnaldo Pomodoro Foundation, Milan

Sculpture created for the Association ""Together for Peace Foundation", Rome. Lost-wax casting, Microfonderia Geccherle, Milan. 30 copies in Arabic numerals + some artist's proofs; M/89/5 Burnished brass base cm 15x15x3. , Literature: "Together for Peace Foundation - working all over the world since 1988", Rome, 1995, ill.; Arnaldo Pomodoro, Catalogue Raisonné, no. M172; "Sotheby's MI0337", auction catalogue, Milan, April 18-19, 2018, Arte moderna e contemporanea, n. 124, ill. p. 182. "Il Ponte casa d'aste 347", auction catalogue, Milan, June 10, 2015, Arte moderna e contemporanea, n. 318, ill. p. 115.

Signed bottom left

Private sale

Gouache on card

cm 48x33

1959

Senza titolo

Code: 31634

Framed

Certificate of authenticity by Pierre Nahon, Expert of Contemporary Art of Galerie Beaubourg, Paris dated 25/09/1979.

Dedication at lower right; This work was relined in Milano on 15/06/1978 as written on the reverse.

Signed and dedicated bottom right

Private sale

Mixed media on paper

cm 52x69

1963

Untitled

Code: 31361

Framed

Certificate of authenticity by Karel Appel Foundation.

This work by Karel Appel is very typical, of highly good quality and well-dated as it is from the early 1960s

Private sale

Oil on canvas

cm. 60x90

1965

Alea Parallela

Code: 31193

Unframed

Artwork registered in Piero Dorazio Archive, Milan, as by Photo Certificate dated 17 Oct 2022. Important and historical work by Dorazio, executed in 1965 which has a rich exhibition curriculum and period publications. Literature, publications and exhibitions: - Artwork published in Catalogo Ragionato di Piero Dorazio: Marisa Volpi Orlandini, "Dorazio. Catalogo ragionato", Alfieri Edizioni d'Arte, Venezia, 1977, with no. 842; - 1966, St. Gallen/Schweiz, Galerie "Im Erker", repr.; - 1966, Lausanne, Galerie Bonnier; - 1967, La Chaux-de-Fonds, Musée des Beaxu-Arts, repr.; - 1967, Stockolm, Svensk-Franska Konstgalleriet, cited. The work is from1965, the year when Dorazio took part in the exhibition “The Responsive Eye” at the MoMA – Museum of Modern Art in New York. In 1966 he presented a second personal exhibition at the Venice Biennale with this type of artworks: monochrome canvases covered with linear textures which bring him close to the American Minimalism; the following year he collaborated with Giuseppe Ungaretti on the volume La Luce (The Light) (a collection of 20 poems by Ungaretti and 14 large lithographs by Dorazio) for the Galerie Im Erker St. Gallen, (Switzerland) thus starting an artistic partnership

Label on the reverse: Galerie Im Erker, St.Gallen/Schweiz; Galerie Bonnier, Losanna; Svensk-Franska Konstgalleriet,Stockholm (April-May 1967)

Signed on the reverse

Private sale

Oil and collage on paper laid on canvas by the artist

cm 45x59

1964

64 B/3 Verdaccio

Code: 30613

Unframed

Photo-certificate signed by the artist dated 1972, with notarized statement of authenticity from artist's brother Dino Basaldella dated 1975. The work and the photo certificate are archived in the Afro Foundation Archive in Rome, as confirmed by email from the Foundation itself.

High quality work by Afro Basaldella dated 1964, accompanied by an old photo certificate signed by the artist and by notarized statement of the artist's brother Dino dated 1975. The photo certificate specifies that the paper was laid down on canvas by the artist and this definition befits the present work because Afro painted it in oil only after applying the newspaper collage onto the canvas. Obviously this diversifies its artistic and commercial value compared to a “common” mixed media on paper.

Signed and dated bottom right

Private sale

Clay sculpture, enamels with black drops

cm 32x30x15

1958/1959

Gocce nere

Code: 28139

Unframed

Certificate of authenticity by Mascelloni Enrico with accompanying card.

Very rare and precious work by Leoncillo: it is the only one known at the moment made with black drops, as explained by the archiver Enrico Mascelloni in the text and accompanying file: "It belongs to a cycle of sculptures of various sizes made between 1958 and 1959, characterized by a black body on which red or more rarely black drops are arranged. The most famous (and larger) work of the entire cycle Grande Presagio of 1958 (Mascelloni / Galleria dello Scudo pag. 109-111) , known in two very similar versions (the second was recently hesitated at Christie's, Milan 2021, cat.). Contiguous in size, date of execution and typology to the sculpture in question are four works encrypted by red drops (see Spadoni / Galleria l 'Attic page 115 n.53), while this is the only one known at the moment characterized by black drops. A group of sculptures with black bodies and red or black drops, but different in typology, as torso-shaped, belongs to a later cycle by Leoncillo , datable between 1965 and 1968, the year of his death (Mascelloni / Galleria dello Scudo pagg. and Spadoni / Galleria l'Attico pag. 181 no 94). The sculptures with red or black drops actually open the final and most known phase of Leoncillo's artistic career, characterized by a vehement modeling and a magmatic material, which although they have always belonged to it, now acquire a radically aniconic impact. The drops, as a tautological representation of blood in the red variant, return in the black one a less didactic symbolism: a recurring attention in him for the most precious chromatic and material textures, in a cosmogony of black that in the same years was returned with equal refinement and dramaturgical power only from fellow countryman Burri and the American Mangold ".

Private sale

Oil and spray on canvas

cm 164x132

1957

Sakuhin

Code: 28089

Framed

Certificate of authenticity by Archivio Yasuo Sumi with no. 328

Large canvas by Yasuo Sumi dated 1957, extraordinary work for its quality, date of execution and measurements: it can be considered one of the most important of his production. It has a very thick impasto with a relief effect; it is in excellent condition, untraceable on the market

Signed bottom right

Private sale

Acrylic on paper mounted on panel

cm 15x10

1980 c.

Untitled

Code: 28022

Framed

Certificate of authenticity and provenance on photo by Galleria Art U, Tokyo. Certificate of authenticity by Teoart, Rome

The work, as you can see from the image of the reverse, is considered to be executed on wood panel prepared with thin film before the artistic performance by Shiraga. It is signed on the reverse of the wood panel .

Signed on the reverse

Private sale

Mixed media and objects on canvas laid on wood panel

cm. 79x54

1961

Tears

Code: 26601

Framed

Certificate of authenticity by Andrea Mardegan

Work published in the catalog "Yozo Ukita art works" 2015, Livre Tofoun, Kioto. Very rare work of 1961 by Yozo Ukita: the oldest existing on the market, the most important that has been seen on the market in the past twenty years.

Private sale

Paper, acrylic and combustion on paper

cm 26,4x20

1964

Combustione

Code: 24933

Framed

Work registered at the Fondazione di Palazzo Albizzini, Città di Castello, with archive no. 1044

Literature: "Burri. Catalogo generale", Fondazione Palazzo Albizzini Collezione Burri, by Corà Bruno, Città di Castello, 2015, Vol. IV, p. 170, pl.1044; "Burri. Contributi al Catalogo Sistematico", Fondazione Palazzo Albizzini, introduction by Nemo Sarteanesi, Ed.Petruzzi, 1990

Signed bottom right

Private sale

salt, rose petals and mixed media on cardboard

cm. 76x100

1968

Senza titolo

Code: 23038

Framed

Photo certificate signed by the artist

On the reverse label of Studio De Ambrogi, Milano and label Galleria Spazia, Bologna (attached to the photo certificate)

Signed bottom center

Private sale

Mixed media and collage on card

cm. 30x65

1973

Senza titolo

Sold

Code: 20709

Framed

Certificate of authenticity by Carlina Galleria d'Arte, Torino. Photo-certificate and certificate of authenticity by Fondazione Giulio Paolini.

Signed on the reverse

Private sale

Paint and mixed media on card

cm. 36x50

1985

Senza titolo

Code: 20351

Framed

Photo certificate signed by the artist dated 19/07/1986. Archive Galerie Maeght Lelong, Paris, n. CO 05 7193

Provenance: Galerie Maeght Lelong, Paris; Galleria d'Arte Il Mappamondo, Milano; Galleria d'Arte Beniamino, Sanremo (Imperia)

Signed bottom right

Private sale

Acrylic and glass shards on canvas

cm. 117x117

1991

Bottle Crash

Code: 20405

Framed

Photo certificate by the Shozo Shimamoto Association archive no. 1309

Work exhibited at Galerie Sander, Germany in 1992; it was also displayed in various exhibitions in Japan. Work of great significance within the production of Shozo Shimamoto for various reasons: 1) the year of execution, in 1991, is important as the few bottle crash Shimamoto realized in the early 1990s were executed in the same way as the very rare ones he made in the 50s / 60s post-cannon period: the glass bottles shattered against the stones cast their shards and slivers onto the canvas; 2)its high quality; 3) the numerous exhibitions it took part in, notedly the one held at the Sander Gallery in 1992.

Signed bottom left

Private sale

Oil on canvas

cm 100x65

1950'

Paesaggio a Forte dei Marmi

Code: 31753

Framed

Certificate of authenticity by Luigi Colombo

Work published on the General Catalog vol. II, p. 296, pl. 458. Label of Galleria Tiziano, Conegliano on the reverse

Signed bottom right

Private sale

Assemblage of a small gray, blue, red and green painted solid wood doors. Prototype

cm 70x70

1972

Lineare Zeta color

Code: 31744

Framed

Certificate of authenticity and provenance on photo by Nikol Art inventory MMLZ /GRVB / OP / 672. Acquired directly from the artist in 1972

Prototype created by Massironi for Nikol. Provenance: Nikol Art, Padova. Unique piece. LINEARE / ZETA is a design by Manfredo Massironi and its prerogative lies in the geometric pattern of the doors which allows to create a variety of kinetic images with a strong visual impact. The present work manifests itself to the viewer in 4 different perception modes, depending on the side of observation, as the accompanying photos show. Literature: Fabio D'Ambrosio, "Manfredo Massironi – Ricerca visiva e arte / Arte e ricerca visiva", Editore Milano, Macerata 24 May - 12 June 2007, p.23 fig.1; "Manfredo Massironi – La dinamica dell’oggetto visivo", Allemandi Editore, Padova, 20 December 2008 - 8 March 2009, p. 163

Private sale

Light installation: metal, light bulbs and 220 volt electrical system

cm 36x36x30

1964/75

Boite a lumière instable

Code: 31730

Unframed

Work exposed in the exibition "Arte Cinetica e Programmata. L'Arte del Movimento", Galleria Edieuropa, Roma, curated by Lucilla Meloni, 2010; It's published in the related Catalog for the exibition.

Private sale

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