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Nails and paint on wood panel

cm 69,5x60x4

1961

Tableau clous

Code: 33250

Unframed

Certificate of authenticity by Archivio Opere Bernard Aubertin with archive no. TCLR16-1000366123

Rare work of Aubertin made in 1961

Signed on the reverse

Private sale

Burnt matches on metal disc

cm diam. 50, prof. cm. 6

1965

Le disque de feu tournant

Code: 33249

Unframed

Certificate of authenticity by Archivio Opere Bernard Aubertin with archive no. DFEA56-1000377223

Rare work of Aubertin made in 1965

Signed on the reverse

Private sale

Nails and paint on wood panel

cm 33,5x18,5x7

1961

Tableu clous

Sold

Code: 33248

Unframed

Certificate of authenticity by Archivio Opere Bernard Aubertin with archive no. TCLR16-1000371023

Rare work of Aubertin made in 1961

Signed on the reverse

Private sale

Nails and paint on wood panel

cm 17x11x10

1961

Tableau clous n. 29

Code: 33247

Unframed

Certificate of authenticity by Archivio Opere Bernard Aubertin with archive no. TCLR16-1000373723

Rare work of Aubertin made in 1965

Signed on the reverse

Private sale

Ikb pigment on a postage stamp

cm 2,3x2,1

1959

Enveloppe avec timbre bleu

Code: 33216

Unframed

Photo-Certificate of authenticity by Sabine Cornette de Saint Claire, with confirmation from the Klein Moquay Archive

Envelope addressed to Georges Annekov dated 02/06/1959, envelope size cm. 17,2x11

Private sale

model of Cologne Cathedral in a transparent plastic bag, numbered 9/40 (only about 20 made)

cm. 19x26x4

1969/70

Eingepackter Kölner Dom

Code: 33215

Unframed

Work published in the Catalogue Raisonné Schellmann at n. 29. References of this artwork also in: Jacob Baal-Teshuva, Christo and Jean-Claude, Ed. Taschen

Only 20 copies of the work have been produced. Curated by Edition Staeck, Heidelberg, as a gift for the Intermedia, Heidelberg 1969

Signed on the bottom of model

Private sale

Enamel paint on canvas

cm 33,5x72

2010

Untitled (Nishinomiya Yacht Harbor, Performance with cups)

Code: 33155

Framed

Certificate of authenticity by Shozo Shimamoto Archive with archive no. 1820

Signed bottom right

Private sale

Décollage on canvas

cm 35x45

1970

Enigma

Code: 33051

Framed

Certificate of authenticity by Fondazione Mimmo Rotella with archive no. 1202 DC970/000;Photo certificate signed by the artist with label of Il Collezionista d'Arte Contemporanea, Roma; Certificate of authenticity by Galleria d'Arte Nuova Artesegno, Udine.

Label of Il Collezionista d'Arte Contemporanea, Roma on the reverse. Work by Rotella of very high quality and excellent provenance. Uncommon

Signed and dated bottom right

Private sale

Mixed media on cardboard, unique piece

cm 40x40

1970

Rilief 5 - Vibration 1, pezzo unico

Code: 32954

Framed

Photo-certificate signed by the artist with label of Galleria d'Arte EFFE, Lecco dated 08/03/1991; Certificate of authenticity by GalleriaUno; Certificate of authenticity by Galleria d'Arte Milesi, Lecco dated 07/02/2011, gallerist of Le Parc, who specifies that this artwork is a unique piece.

Labels of Galleria Ariete arte Contemporanea, Lecco; Galleria d'Arte Milesi, Lecco e Gallleria d'Arte G1 on the reverse.

Signed bottom right

Private sale

Acrylic on cardboard

cm 20x20

1999

Alchimie 286

Code: 32953

Framed

Photo-certificate signed by the artist. Certificate of authenticity by Gallery "Nuova Artesegno", Udine, Italy

Label and stamp of Galleria d'Arte Nuova Artesegno, Udine on the reverse. Provences: Studio d'Arte G.R., Sacile; Artist's Studio

Signed on the reverse

Private sale

Tempera on cardboard

cm 30x30

1960

Lumière

Code: 32945

Framed

Certificato of authenticity by Galleria Milesi, Lecco.

Label of Galleria d'Arte Milesi, Lecco on the reverse.

Signed on the reverse

Private sale

Oil con cardboard

cm 27,4x20

1943

Senza titolo

Code: 32939

Framed

Historical work of Carmelo Arden-Quin dated 1943; rare

Provenance: Arte Struktura, Milan, with label on the reverse of the work

Signed on the reverse; monogram and dated 1943 bottom right

Private sale

embroidery on canvas

cm 16,5x18,7

1988

Pio per mari e monti

Code: 32632

Framed

Certificate of authenticity by Archivio Alighiero Boetti with archive no. 10388. Photo-certificate signed by the artist.

Signed on the reverse

Private sale

Tempera and mixed media on paper mounted on cardboard

cm 33x47,5

1962-1963

Cavaliere in un paese

Code: 32311

Framed

Certificate of authenticity by Claudio Bruni Sakraischik with archive no. 162/80, (Technical Consultant of the Tribunal and of the Court of Appeal of Rome) dated 17/12/1980

Literature: "Catalogo Generale Giorgio De Chirico", seventh volume, works from 1951 to 1974, Ed. Electa, Milano 1983, n. 1116; "Indagine sul Novecento", curated by Claudio Poppi, Edizioni Cinquantasei, p. 55. Stamp "Collezione Palatiello, n. 139 on the reverse.

Signed bottom right

Private sale

Paint on canvas

cm 137,7x57

1986

18b.Malaktion giugno-luglio 1986, Napoli

Code: 32001

Framed

Certificate of authenticity by Archivio Nitsch with archive no. NTSCH-PE1500-035 dated 19/02/2016

Provenance Domus Jani, Verona. Important work of the 1980s by Hermann Nitsch

Signed and dated on the reverse

Private sale

Oil on cardboard on wood panel

cm 36x51

1942

Natura morta con funghi e piume

Code: 31920

Framed

Certificate of authenticity by Associazione per Filippo de Pisis, Milano with archive no. 03035 dated 12/07/2007 signed by the Comitato di curatela (Curatorship Commitee): Luciano Caramel, Filippo Tibertelli de Pisis e Claudia Gian Ferrari; Certificate of authenticity and provenance by Galleria d'Arte Moderna Farsetti, Prato with stamp of Studio d'Arte G.R., Sacile.

Work published in the auction catalogue of Galleria Farsetti, Prato in November 1979 and in the Exhibition catalogue "Omaggio a Filippo de Pisis" at Galleria Studio G.R., Conegliano in January 1981.

Signed and dated bottom right

Private sale

Mixed media on paper

cm 52x69

1963

Untitled

Code: 31361

Framed

Certificate of authenticity by Karel Appel Foundation.

This work by Karel Appel is very typical, of highly good quality and well-dated as it is from the early 1960s

Private sale

Oil on canvas

cm. 60x90

1965

Alea Parallela

Code: 31193

Unframed

Artwork registered in Piero Dorazio Archive, Milan, as by Photo Certificate dated 17 Oct 2022. Important and historical work by Dorazio, executed in 1965 which has a rich exhibition curriculum and period publications. Literature, publications and exhibitions: - Artwork published in Catalogo Ragionato di Piero Dorazio: Marisa Volpi Orlandini, "Dorazio. Catalogo ragionato", Alfieri Edizioni d'Arte, Venezia, 1977, with no. 842; - 1966, St. Gallen/Schweiz, Galerie "Im Erker", repr.; - 1966, Lausanne, Galerie Bonnier; - 1967, La Chaux-de-Fonds, Musée des Beaxu-Arts, repr.; - 1967, Stockolm, Svensk-Franska Konstgalleriet, cited. The work is from1965, the year when Dorazio took part in the exhibition “The Responsive Eye” at the MoMA – Museum of Modern Art in New York. In 1966 he presented a second personal exhibition at the Venice Biennale with this type of artworks: monochrome canvases covered with linear textures which bring him close to the American Minimalism; the following year he collaborated with Giuseppe Ungaretti on the volume La Luce (The Light) (a collection of 20 poems by Ungaretti and 14 large lithographs by Dorazio) for the Galerie Im Erker St. Gallen, (Switzerland) thus starting an artistic partnership

Label on the reverse: Galerie Im Erker, St.Gallen/Schweiz; Galerie Bonnier, Losanna; Svensk-Franska Konstgalleriet,Stockholm (April-May 1967)

Signed on the reverse

Private sale

Alluminum on wood pannel

cm 84 x 13,7 x 1,3

1962

“Alluminio C programmata 1962” superficie a testura vibratile

Code: 28493

Unframed

Certificate of authenticity by Centro Studi Archivio e Ricerche Getulio Alviani n. STVL1962PM2111202114. The present work is of main importance within the artistic production of Getulio Alviani because it is one of the first Vibrating Textures he executed, as it dates back to 1962, and also has an illustrious provenance (Mimmo Biasi). Exactly that year Alviani joined the international movement Nove Tendencije, founded by Almir Mavignier, and to which belonged also the Groupe de Recherche d'Art Visuelle in Paris, the Group N of Padova, Enrico Castellani and Piero Manzoni as regards Italy; this artistic collaboration represents the zenith of what will be named “Art of visual, optical and kinetic research” by later critics.

Signed on the reverse

Private sale

Clay sculpture, enamels with black drops

cm 32x30x15

1958/1959

Gocce nere

Code: 28139

Unframed

Certificate of authenticity by Mascelloni Enrico with accompanying card.

Very rare and precious work by Leoncillo: it is the only one known at the moment made with black drops, as explained by the archiver Enrico Mascelloni in the text and accompanying file: "It belongs to a cycle of sculptures of various sizes made between 1958 and 1959, characterized by a black body on which red or more rarely black drops are arranged. The most famous (and larger) work of the entire cycle Grande Presagio of 1958 (Mascelloni / Galleria dello Scudo pag. 109-111) , known in two very similar versions (the second was recently hesitated at Christie's, Milan 2021, cat.). Contiguous in size, date of execution and typology to the sculpture in question are four works encrypted by red drops (see Spadoni / Galleria l 'Attic page 115 n.53), while this is the only one known at the moment characterized by black drops. A group of sculptures with black bodies and red or black drops, but different in typology, as torso-shaped, belongs to a later cycle by Leoncillo , datable between 1965 and 1968, the year of his death (Mascelloni / Galleria dello Scudo pagg. and Spadoni / Galleria l'Attico pag. 181 no 94). The sculptures with red or black drops actually open the final and most known phase of Leoncillo's artistic career, characterized by a vehement modeling and a magmatic material, which although they have always belonged to it, now acquire a radically aniconic impact. The drops, as a tautological representation of blood in the red variant, return in the black one a less didactic symbolism: a recurring attention in him for the most precious chromatic and material textures, in a cosmogony of black that in the same years was returned with equal refinement and dramaturgical power only from fellow countryman Burri and the American Mangold ".

Private sale

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