Gallery

Code: 28165

Framed

Signed bottom right

Private sale

Code: 28138

Framed

Photo-certificate by National Gallery, Firenze with no. GLNGA000O056405.009. Work published in AUTHENTIC LILANGA IN EUROPEAN AND ASIAN COLLECTION, 2nd Volume by Luca Faccenda and Marco Parri, National Gallery Editing, Firenze, page 304. Photo-certificate by Capt Felix Lorenz, Lauenburg (Elbe) Germany.

Signed bottom right

Private sale

Code: 28134

Framed

Certificate of authenticity by Archivio Emilio Vedova with no. 357 dated 17/09/96

Work published in the Catalog “Emilio Vedova – Compresenze”, published for the solo exhibition organized by Zanussi in 1995. Work of great quality and thick impasto: Emilio Vedova used oil paint only in his 1950s and 1960s works and later only in the paintings he made for this exhibit organized by Rex Zanussi in 1995. The pictorial works he executed after the 60s are, therefore, described as “Paint on canvas (or paper)” non as oils. This painting is an oil on canvas: only by using oil Vedova could, by definition, obtain that impasto effect typical of his masterpieces and that we can see here.

Signed on the reverse

Private sale

Code: 28129

Unframed

Certificate of authenticity by Vanessa Art Link Gallery, Pechino/Giacarta. This work is published

Stamp Museo Magi 900,Pieve di Cento (BO) on the reverse

Signed bottom right

Estimate: € 16000

Private sale

Code: 28128

Framed

Photo-certificate by the artist

Signed bottom center

Private sale

Code: 28124

Framed

Photo certificate by the Mark Tobey Committee

Signed bottom right

Private sale

Code: 28120

Framed

Photo-certificate by Archivio Emilio Vedova with archive no. 1332, hand signed by the artist

Signed and dated bottom right

Private sale

Code: 28118

Unframed

Important and historic work by Dorazio, executed in 1965 which has a rich exhibition curriculum and period publications. Literature, publications and exhibitions: - Artwork published in the Catalogue Raissonè of Piero Dorazio: Marisa Volpi Orlandini, "Dorazio. Catalogo ragionato", Alfieri Edizioni d'Arte, Venezia, 1977, with no. 842; - 1966, St. Gallen/Schweiz, Galerie "Im Erker", reproduced; - 1966, Lausanne, Galerie Bonnier; - 1967, La Chaux-de-Fonds, Musée des Beaux-Arts, reproduced; - 1967, Stockolm, Svensk-Franska Konstgalleriet, cited. The work was executed in 1965, year in which he participated in the exhibition "The Responsive Eye" at the MoMA - Museum of Modern Art in New York. In 1966 he presented a second solo exhibition at the Venice Biennale with this kind of works: monochrome canvases covered with linear textures that bring him closer to American minimalism; the following year he worked with Giuseppe Ungaretti at the volume La Luce (a collection of 20 of his poems with 14 large lithographs) for the Galleria Im Erker di San Gallo, Svitzerland, establishing an artistic partnership.

Labels on the reverse: Galerie Bonnier, Losanna; Svensk-Franska Konstgalleriet,Stockholm (April-May 1967)

Signed on the reverse

Private sale

Code: 28117

Framed

Photo-certificate by Galleria Analix, Ginevra

Private sale

Code: 28116

Framed

Photo-certificate by Galleria Analix,Ginevra

Private sale

Code: 28115

Framed

This work is registered in the Sam Francis Foundation, California with archive no. SF64-188

Label of Margo Leavin Gallery, Los Angeles (California) on the reverse

Signed on the reverse as shown on the certificate

Private sale

Code: 28114

Unframed

Photo-certificate signed by the artist

Signed on the reverse

Private sale

Code: 28094

Unframed

Photo-certificate signed by the artist. registration Shozo Shimamoto Archive ID 1304

Signed bottom right

Private sale

Code: 28089

Framed

Certificate of authenticity by Archivio Yasuo Sumi with no. 328

Extraordinary work on large canvas by Yasuo Sumi dated 1957, for its quality, date of execution and measurements: it can be considered one of the most important of his production. It has a very thick impasto with a relief effect; it is in excellent condition, untraceable on the market

Signed bottom right

Private sale

Code: 28088

Framed

Certificate of authenticity by Shozo Shimamoto Association ID 743 signed by the artist

Shown at Hundertmark Gallery - Koln Gallery (Germny, 1997) Very high quality artwork

Signed lower right

Private sale

Code: 28024

Framed

Photo-certificate by Archivio Andrea Mardegan, Japan with Archive no. ID 835

Signed bottom right

Private sale

Code: 28023

Framed

Photo-certificate by Archivio Andrea Mardegan, Japan with Archive no. ID 834

Signed bottom right

Private sale

Code: 28022

Framed

Certificate of authenticity and provenance on photo by Galleria Art U, Tokyo. Certificate of authenticity by Teoart, Rome

The work, as you can see from the image of the reverse, is considered to be executed on wood panel prepared with thin film before the artistic performance by Shiraga. It is signed on the reverse of the wood panel .

Signed on the reverse

Private sale

Code: 28000

Framed

Provenance: Label of Sotheby's, Hong Kong, June 2014 on the reverse. Certificate of authenticity by Karuizawa New Art Museum, Nagano, Japan, archive no. MS-0001-01, hand signed by the artist.

Very rare work on canvas by Mukai dated 1960: the artist in a moment of madness in November 1965 burnt all the works in his studio (this is documented in the Ashiya Museum in Japan), thus, the ones from the 1960-65 period that were saved were really very few, so extremely rare and important as this one is.

Signed on the reverse

Private sale

Code: 27995

Framed

Photo-certificate by the artist

Signed and dated upper left

Private sale