Gallery

Code: 21050

Framed

Photo certificate by the artist

Signed bottom right

Private sale

Code: 21043

Framed

Certificate of authenticity by Archive Yasuo Sumi ID 305

Work of great historical importance by Yasuo Sumi: it was exhibited at the historic 9th Gutai Art Exhibition, 1960, Osaka, Takashimaya; displayed and published in the exhibition "Kaiga no Arashi show at Osaka National Museum of Art" in 1985, with catalog; displayed and published in the exhibition catalog "Action and Emotion, 50s Paintings, Informel, Gutai, Cobra", Osaka National Museum of Art, p. 85, September-November 1985. During the Golden years of the Gutai movement Yasuo Sumi realized very few works on such large canvases and it is estimated that the ones made in the early 1960s are no more than fifteen. The fact that this work was displayed in such important historic exhibitions makes it one of the most important within Sumi’s whole artistic production.

Signed bottom right

Private sale

Code: 21042

Framed

Photo certificate by Studio d'Arte Cannaviello, Milano

Signed on the reverse

Private sale

Code: 21037

Framed

Certificate of authenticity by Galleria d'Arte Giovanni di Summa, Roma

Signed bottom right

Private sale

Code: 21015

Framed

Photo certificate by Archive Alberto Biasi, archive no. N T.177

Signed "Alberto Biasi - Gruppo N, Padova" on the reverse

Signed on the reverse

Private sale

Code: 20710

Framed

Photo certificate by the artist

Signed on the reverse

Private sale

Code: 20388

Framed

Photo certificate by the artist

Signed on the reverse

Private sale

Code: 20379

Framed

Provenance Artcurial, Paris

Signed bottom right

Private sale

Code: 20377

Framed

Signed on the reverse

Private sale

Code: 20370

Framed

Photo certificate by Studio d'Arte Cannaviello, Milano

Signed bottom right

Private sale

Code: 20358

Framed

Signed on the reverse

Private sale

Code: 20357

Framed

Signed on the reverse

Private sale

Code: 20355

Framed

Photo certificate by the artist, Sumi Archive ID 284

Signed bottom right

Private sale

Code: 20354

Framed

Work displayed and published in the catalog of the exhibition "Shozo Shimamoto Gutai to Proxima by 1955-2004", International Gallery of Modern and Oriental Art Museum Ca 'Pesaro, Venice, 2004

Photo certificate by Shozo Shimamoto Association, Archive ID 1033. Photo certificate by the artist

Signed bottom right

Private sale

Code: 19710

Framed

Certificate of authenticity by the artist with archive no.40 on the reverse

Signed bottom right

Private sale

Code: 18901

Framed

Provenance: USA Collection

Signed on the reverse

Private sale

Code: 17433

Framed

Work published in: "Joseph Beuys & Nam June Paik: In memoriam George Maciunas," GR-Edition Block EB 113/14, Berlin 1978, Caroline Tisdall, "Joseph Beuys", Solomon R. Guggenheim Museum, 1979, pp.180-81, "The Love Art ", Tokyo, 1991, p.52; Mats B.," Fluxus - The development of an Antidote ", Galleri Stenstroem, 29 October 1992 to 17 January 1993

Work exhibited in "Joseph Beuys & Nam June Paik's video performance: In memoriam George Maciunas," Klavierduett, Staatlichen Art Academy in Dusseldorf, 7 July 1978

Private sale

Code: 14982

Framed

Certificate of authenticity by Andrea Mardegan, Japan

Signed lower left

Private sale

Code: 20405

Framed

Photo certificate by the Shozo Shimamoto Association archive no. 1309

Work exhibited at Galerie Sander, Germany in 1992; it was also displayed in various exhibitions in Japan. Work of great significance within the production of Shozo Shimamoto for various reasons: 1) the year of execution, in 1991, is important as the few bottle crash Shimamoto realized in the early 1990s were executed in the same way as the very rare ones he made in the 50s / 60s post-cannon period: the glass bottles shattered against the stones cast their shards and slivers onto the canvas; 2)its high quality; 3) the numerous exhibitions it took part in, notedly the one held at the Sander Gallery in 1992.

Signed bottom left

Private sale

Code: 20387

Framed

Certificate of authenticity with two photos, one for each work, issued by the Associazione Shozo Shimamoto under no. 1058 with the artist's handwritten signature

On a single sheet Shimamoto realized two Hole works. Work recto and verso, each signed lower right, therefore the COA by the Shozo Shimamoto Association has two photos, one for each work.

Each work is signed bottom right

Private sale