Gallery

Code: 34206

Framed

Work published in the catalogue "Shozo Shimamoto. Samurai, Acrobata dello sguardo 1950-2008", Skira, curated by Achille Bonito Oliva. Label of ABC Arte on the reverse.

Signed lower right

Private sale

Code: 34205

Framed

Signed on the reverse

Private sale

Code: 31728

Framed

Certificate of authenticity by the artist with archive no. ID 202

Signed bottom left

Private sale

Code: 35609

Framed

Label of General Catalogue Roberto Crippa, with reference no. 460, Statement of autenticity by Baggini Rosangela dated 12/07/1972 on the reverse.

Signed on the reverse

Private sale

Code: 28139

Unframed

Certificate of authenticity by Mascelloni Enrico with accompanying card.

Very rare and precious work by Leoncillo: it is the only one known at the moment made with black drops, as explained by the archiver Enrico Mascelloni in the text and accompanying file: "It belongs to a cycle of sculptures of various sizes made between 1958 and 1959, characterized by a black body on which red or more rarely black drops are arranged. The most famous (and larger) work of the entire cycle Grande Presagio of 1958 (Mascelloni / Galleria dello Scudo pag. 109-111) , known in two very similar versions (the second was recently hesitated at Christie's, Milan 2021, cat.). Contiguous in size, date of execution and typology to the sculpture in question are four works encrypted by red drops (see Spadoni / Galleria l 'Attic page 115 n.53), while this is the only one known at the moment characterized by black drops. A group of sculptures with black bodies and red or black drops, but different in typology, as torso-shaped, belongs to a later cycle by Leoncillo , datable between 1965 and 1968, the year of his death (Mascelloni / Galleria dello Scudo pagg. and Spadoni / Galleria l'Attico pag. 181 no 94). The sculptures with red or black drops actually open the final and most known phase of Leoncillo's artistic career, characterized by a vehement modeling and a magmatic material, which although they have always belonged to it, now acquire a radically aniconic impact. The drops, as a tautological representation of blood in the red variant, return in the black one a less didactic symbolism: a recurring attention in him for the most precious chromatic and material textures, in a cosmogony of black that in the same years was returned with equal refinement and dramaturgical power only from fellow countryman Burri and the American Mangold ".

Private sale

Code: 31193

Unframed

Artwork registered in Piero Dorazio Archive, Milan, as by Photo Certificate dated 17 Oct 2022. Important and historical work by Dorazio, executed in 1965 which has a rich exhibition curriculum and period publications. Literature, publications and exhibitions: - Artwork published in Catalogo Ragionato di Piero Dorazio: Marisa Volpi Orlandini, "Dorazio. Catalogo ragionato", Alfieri Edizioni d'Arte, Venezia, 1977, with no. 842; - 1966, St. Gallen/Schweiz, Galerie "Im Erker", repr.; - 1966, Lausanne, Galerie Bonnier; - 1967, La Chaux-de-Fonds, Musée des Beaxu-Arts, repr.; - 1967, Stockolm, Svensk-Franska Konstgalleriet, cited. The work is from1965, the year when Dorazio took part in the exhibition “The Responsive Eye” at the MoMA – Museum of Modern Art in New York. In 1966 he presented a second personal exhibition at the Venice Biennale with this type of artworks: monochrome canvases covered with linear textures which bring him close to the American Minimalism; the following year he collaborated with Giuseppe Ungaretti on the volume La Luce (The Light) (a collection of 20 poems by Ungaretti and 14 large lithographs by Dorazio) for the Galerie Im Erker St. Gallen, (Switzerland) thus starting an artistic partnership

Label on the reverse: Galerie Im Erker, St.Gallen/Schweiz; Galerie Bonnier, Losanna; Svensk-Franska Konstgalleriet,Stockholm (April-May 1967)

Signed on the reverse

Private sale

Code: 28493

Unframed

Certificate of authenticity by Centro Studi Archivio e Ricerche Getulio Alviani n. STVL1962PM2111202114. The present work is of main importance within the artistic production of Getulio Alviani because it is one of the first Vibrating Textures he executed, as it dates back to 1962, and also has an illustrious provenance (Mimmo Biasi). Exactly that year Alviani joined the international movement Nove Tendencije, founded by Almir Mavignier, and to which belonged also the Groupe de Recherche d'Art Visuelle in Paris, the Group N of Padova, Enrico Castellani and Piero Manzoni as regards Italy; this artistic collaboration represents the zenith of what will be named “Art of visual, optical and kinetic research” by later critics.

Signed on the reverse

Private sale

Code: 32179

Framed

Photo-certificate signed by the artist.

Literature: "Santomaso, Catalogo Ragionato", Vol. 2°, Alemandi Editore, curated by Nico Stringa, p 185, no. 160; Provenance: Artist's studio, Galleria Il Capricorno, Venezia

Signed right bottom

Private sale

Code: 32632

Framed

Certificate of authenticity by Archivio Alighiero Boetti with archive no. 10388. Photo-certificate signed by the artist.

Signed on the reverse

Private sale

Code: 33051

Framed

Certificate of authenticity by Fondazione Mimmo Rotella with archive no. 1202 DC970/000;Photo certificate signed by the artist with label of Il Collezionista d'Arte Contemporanea, Roma; Certificate of authenticity by Galleria d'Arte Nuova Artesegno, Udine.

Label of Il Collezionista d'Arte Contemporanea, Roma on the reverse. Work by Rotella of very high quality and excellent provenance. Uncommon

Signed and dated bottom right

Private sale

Code: 35476

Unframed

Photo-certificate signed by the artist

Signed on the reverse

Private sale

Code: 35146

Framed

Letter with confirmation of authenticity by Giulio Turcato Archive, Rome with no. 31A117163121020-RPost

Minor signs of craquelure.

Signed bottom right

Private sale

Code: 35573

Framed

Work exposed at the anthological exhibition to Palazzo Regazzoni Frangini Biglia, Sacile, curated by Giovanni Granzotto, Alessandro Rosa, from 25/02 to 24/04/1995

Signed and dated bottom right

Private sale

Code: 23038

Framed

Photo certificate signed by the artist

On the reverse label of Studio De Ambrogi, Milano and label Galleria Spazia, Bologna (attached to the photo certificate)

Signed bottom center

Private sale

Code: 35145

Framed

Certificate of authenticity by artist's son Roberto Crippa Junior.

Minor signs of craquelure. Hight quality work.

Signed on the reverse

Private sale

Code: 35671

Framed

Label of Art Gallery Salvatore Serio, Naples on the reverse.

Signed on the reverse

Private sale

Code: 35672

Framed

Label of Art Gallery Salvatore Serio, Naples on the reverse.

Signed on the reverse

Private sale

Code: 35147

Framed

Certificate of authenticity by GAM Mattia Moreni Archive, Bologna no.96/018 M.DPO7C

Signed and dated bottom right

Private sale

Code: 35605

Framed

Certificate of authenticity by Art Studio Cara Beltà, Taranto; Certificate of authenticity by Art Gallery Accademia, Turin; Work registered in the Archivio Perilli UNDER no. 188

Literature: Achille Perilli, General Catalogue of Paintings and Sculptures, Vol. II, Silvana Editore, curated by G. Appella, no. 3665, p. 510.

Signed bottom left

Private sale

Code: 20351

Framed

Photo certificate signed by the artist dated 19/07/1986. Archive Galerie Maeght Lelong, Paris, n. CO 05 7193

Provenance: Galerie Maeght Lelong, Paris; Galleria d'Arte Il Mappamondo, Milano; Galleria d'Arte Beniamino, Sanremo (Imperia)

Signed bottom right

Private sale